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Three Pieces for String Quartet (Stravinsky)
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Three Pieces for String Quartet (Stravinsky) : ウィキペディア英語版
Three Pieces for String Quartet (Stravinsky)
''Three Pieces for String Quartet'' is a composition by Russian composer Igor Stravinsky. It was finished in 1914, revised in 1918, and eventually published in 1922.
== Composition ==

As most of the works by Igor Stravinsky, this three-movement work was arranged from a four-hands on one piano version, from which the final revised version of 1918 derives and differs in some respects. The manuscript (originally titled ''IStravinsky. Trois pièces pour quatuor à cordes – reduction pour piano à quatre mains par moi, IStr.'') contained no movement titles for any of the three pieces. However, with the passing of time, Stravinsky rearranged these three movements for large orchestra, together with his ''Étude pour pianola'', and premiered the whole collection as ''Quatre études'' in 1928.〔
The first movement is reminiscent of Russian folk melodies. The first violin line plays a repeating melody that is folk like in its dancing character and melodic contour. This melody plays in a bright G major and uses syncopation to develop the dance-like theme. The first violin also has the note "Glissez avec toute la longueur de l'archet jusqu'à la fin" which means, use the whole length of the bow. In this context, because of the faster tempo (=126), the speed of the bow will increase and therefore it will have a fuller and brighter sound. The second violin plays a descending melody in a different tonal center, interrupting the pattern and color of the first violin. It is also marked "excessivement sec" meaning extremely short. This second violin line is reflective of the guttural singing traditions in East Russia. The other string instruments play in different tonal centers with pizzicato also reinforces this dancing style.
It is no coincidence that Stravinsky bases his melodies off Russian folk music. This piece, written in 1914, was during a time of intense European nationalism. In this piece, Stravinsky stays true to his roots.

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